Empowerment in Seven Selected American Songs The Ideational and Interpersonal Meaning Title
Main Article Content
Abstract
The recent study aims to analyse the ideational and interpersonal meaning in seven selected empowerment songs’ lyrics. The objectives of the study are to describe the characteristics and types of interpersonal meaning: mood and modality; and the types of transitivity processes. The research design applied in this study is descriptive qualitative. The data is the lyrics of seven selected songs: Brave by Sara Barelies; Fireworks, and Roar by Katy Perry; Who Says by Selena Gomez; Love Myself by Hailee Steinfeld; Fight Song by Rachel Platten; and I love Me by Demi Lovato. The finding shows the dominant mood of all the lyrics is declarative mood; and the modality are: “can” in song 1; “wouldn’t” and “would” in song 2; “don’t have to”, “cannot”, and “could” in song 3; “can’t” in song 5; “can”, “might”, and “will” in song 6; “can’t” and “should” in song 7. Further, the analysis showed that all the transitivity process found in the lyrics include: material, mental, relational, behavioural, verbal, and existential.
Article Details

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with Cultural Narratives agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 (CC BY-SA.4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. (See The Effect of Open Access)
References
Cox, T. (2000). You Can Write Song Lyrics. Cincinnati Ohio: Writer's Digest Book.
Daryanto, A. P., Setyaji, A., & Prastikawati, E. F. (2022). Interpersonal Meaning Analysis of The Weeknd Song Lyrics in After Hours' Album. International Journal of Research in Education, 123-131.
Dewi, S. E., & Mulatsih, S. (2015). Language, Power, and Ideology in P.O.D's "Youth of The Nation" Song Lyric .
Dwiprasetyo, B. S., Supatmiwati, D., & Dewi, P. (2022). A Transitivity Analysis on Epic Rap Battle of Presidency Song. Humanitatis: Journal of Language and Literature.
Gerot, & Wignell. (1994). Making Sense of Functional Grammar. Antipodean Educational Enterprises.
Halliday, M. (1985). An Introduction to Functional Grammar. London: Edward Arnold.
Halliday, M., & Matthiessen, C. M. (2014). Halliday's Introduction to Functional Grammar. Oxon: Routledge.
Khamaduddin, M. (2021). Exploring the Ideational Meaning in Selena Gomez's Rare Album.
Medina, R. S., & Noorman, S. (2019). Interpersonal Meaning Analysis of Selected Song Lyrics from Queen's Greatest Hits Album. Twelfth Conference on Applied Linguistics, 430.
Silalahi, P. V. (2023). Signifying The Sign in Breakups of a Couple of Lovers in Six Selected Batak Toba Songs. TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra.
Soto-Jurado, J. (2021). "Ya No Nos Maten": A Discourse Analysis of the Song "Querida Muerte". Open Journal for Studies in Linguistics, 15-22.
Yuningsih. (2018). An Appraisal Analysis: the Interpersonal Meanings in the Discourse of a Lyric. Getsempena English Education Journal (GEEJ).